Monday 16 May 2005

... The only real journey, the only Fountain of Youth, would be to travel not towards new landscapes, but with new eyes ...

But is it not the case that these elements, this final residue which we are obliged to keep to ourselves, which speech cannot convey even from friend to friend, from master to pupil, from lover to mistress, that this inexpressible thing which reveals the qualitative difference between what each of us has felt and has had to leave on the threshold of the phrases which he uses to communicate with others, something which he can do only by dwelling on points of experience common to all and consequently of no interest to any, can be expressed through art, the art of a Vinteuil or an Elstir, which makes manifest in the colours of the spectrum the intimate make-up of those worlds we call individuals, and which without art we should never know? Wings, another respiratory system which allowed us to cross the immensity of space, would not help us. For if we went to Mars or Venus while keeping the same sense, everything we might see there would take on the same aspect as the things we know on Earth. The only real journey, the only Fountain of Youth, would be to travel not towards new landscapes, but with new eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them can see, or can be; and we can do that with the help of an Elstir, a Vinteuil; with them and their like we can truly fly from star to star.

quoted in:
Proust, Marcel
"The Prisoner" (In Search Of Lost Time, Volume 5)
pps. 236-7, Penguin Classics, 2003

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