Thursday, 30 August 2007
Monkey Pureness
For the moon in the water.
Until death overtakes him
He'll never give up.
If he'd let go the branch and
Disappear in the deep pool,
The whole world would shine
With dazzling pureness.
- Hakuin (1685-1768)
True Buddha Dharma Way
What do you mean by the true Buddha, the true Dharma and the true Way? Would you be good enough to explain to us?
The Master said,
The Buddha- this is the cleanness and purity of the mind.
The Dharma- this is the shining brightness of the mind.
The Way- this is the pure light that is never obstructed anywhere. The three are in fact one. All are empty names and have no true reality.
- Lin-chi (d.867)
Monday, 27 August 2007
Thursday, 23 August 2007
a thousand meters of melancholy
Wearing my long robe made from a thousand meters of melancholy.
He can cut you off from Yazid and sew you onto Zayd;
he can pair you with this one and separate you from the other.
He can attach you to one to whom you give your heart for life;
What a fabric, what a stitch, what a miracle-making hand.
(Divan 216:1-3)
Monday, 20 August 2007
Why by Philip Schultz (August 27, 2007)
Why
by Philip Schultz
August 27, 2007
is this man sitting here weeping
in this swanky restaurant
on his sixty-first birthday, because
his fear grows stronger each year,
because he's still the boy running
all out to first base, believing
getting there means everything,
because of the spiders climbing
the sycamore outside his house
this morning, the elegance of
a civilization free of delusion,
because of the boyish faces
of the five dead soldiers on TV,
the stoic curiosity in their eyes,
their belief in the righteousness
of sacrifice, because innocence
is the darkest place in the universe,
because of the Iraqis on their hands
and knees looking for a bloody button,
a bitten fingernail, evidence of
their stolen significance, because
of the primitive architecture
of his dreams, the brutal egoism
of his ignorance, because he believes
in deliverance, the purity of sorrow,
the sanctity of truth, because of
the original human faces of his wife
and two boys smiling at him across
this glittering table, because of
their passion for commemoration,
their certainty that goodness continues,
because of the spiders clinging to
the elegance of each moment, because
getting there still means everything?
Thursday, 9 August 2007
Careful
If you're lured to watch,
Are a wall before the truth.
- Sogyo (18th century)
Tuesday, 7 August 2007
How (Elizabeth Sutherland)
How
Out in the field, where the noone resides
Gaping like a fish, for one and the same
Squealing like a hyena, surrounded.
One and the different.
There's pain in this muscle.
Pain pain.
In a place been reached too oft.
Turn off?
It can't it won't.
It won't.
It can't.
There are bugs under my skin?
Only scars. Her mistake.
The deceit, the impenetrable wall;
Maybe not so much?
This mile of anguish, out in the meadow
Where the lambs run free and brisk,
There is no free.
There is only brisk
And hast
And rush rush mad.
With no air, shark shark, fish.
The bugs never disappear – an age or two they stay,
But how long is an age?
How wide is a field?
How wet is a fish?
How gleeful is a hyena?
How minute is a bug?
How free is a lamb?
The Ship of Death - D. H. Lawrence
| |
I | |
| |
Now it is autumn and the falling fruit | |
and the long journey towards oblivion. | |
| |
The apples falling like great drops of dew | |
to bruise themselves an exit from themselves. | |
| |
5 | And it is time to go, to bid farewell |
to one's own self, and find an exit | |
from the fallen self. | |
| |
II | |
| |
Have you built your ship of death, O have you? | |
O build your ship of death, for you will need it. | |
| |
10 | The grim frost is at hand, when the apples will fall |
thick, almost thundrous, on the hardened earth. | |
| |
And death is on the air like a smell of ashes! | |
Ah! can't you smell it? | |
| |
And in the bruised body, the frightened soul | |
15 | finds itself shrinking, wincing from the cold |
that blows upon it through the orifices. | |
| |
III | |
| |
And can a man his own quietus make | |
with a bare bodkin? | |
| |
With daggers, bodkins, bullets, man can make | |
20 | a bruise or break of exit for his life; |
but is that a quietus, O tell me, is it quietus? | |
| |
Surely not so! for how could murder, even self-murder | |
ever a quietus make? | |
| |
IV | |
| |
O let us talk of quiet that we know, | |
25 | that we can know, the deep and lovely quiet |
of a strong heart at peace! | |
| |
How can we this, our own quietus, make? | |
| |
V | |
| |
Build then the ship of death, for you must take | |
the longest journey, to oblivion. | |
| |
30 | And die the death, the long and painful death |
that lies between the old self and the new. | |
| |
Already our bodies are fallen, bruised, badly bruised, | |
already our souls are oozing through the exit | |
of the cruel bruise. | |
| |
35 | Already the dark and endless ocean of the end |
is washing in through the breaches of our wounds, | |
already the flood is upon us. | |
| |
Oh build your ship of death, your little ark | |
and furnish it with food, with little cakes, and wine | |
40 | for the dark flight down oblivion. |
| |
VI | |
| |
Piecemeal the body dies, and the timid soul | |
has her footing washed away, as the dark flood rises. | |
| |
We are dying, we are dying, we are all of us dying | |
and nothing will stay the death-flood rising within us | |
45 | and soon it will rise on the world, on the outside world. |
| |
We are dying, we are dying, piecemeal our bodies are dying | |
and our strength leaves us, | |
and our soul cowers naked in the dark rain over the flood, | |
cowering in the last branches of the tree of our life. | |
| |
VII | |
| |
50 | We are dying, we are dying, so all we can do |
is now to be willing to die, and to build the ship | |
of death to carry the soul on the longest journey. | |
| |
A little ship, with oars and food | |
and little dishes, and all accoutrements | |
55 | fitting and ready for the departing soul. |
| |
Now launch the small ship, now as the body dies | |
and life departs, launch out, the fragile soul | |
in the fragile ship of courage, the ark of faith | |
with its store of food and little cooking pans | |
60 | and change of clothes, |
upon the flood's black waste | |
upon the waters of the end | |
upon the sea of death, where still we sail | |
darkly, for we cannot steer, and have no port. | |
| |
65 | There is no port, there is nowhere to go |
only the deepening black darkening still | |
blacker upon the soundless, ungurgling flood | |
darkness at one with darkness, up and down | |
and sideways utterly dark, so there is no direction any more | |
70 | and the little ship is there; yet she is gone. |
She is not seen, for there is nothing to see her by. | |
She is gone! gone! and yet | |
somewhere she is there. | |
Nowhere! | |
| |
VIII | |
| |
75 | And everything is gone, the body is gone |
completely under, gone, entirely gone. | |
The upper darkness is heavy as the lower, | |
between them the little ship | |
is gone | |
80 | she is gone. |
| |
It is the end, it is oblivion. | |
| |
IX | |
| |
And yet out of eternity a thread | |
separates itself on the blackness, | |
a horizontal thread | |
85 | that fumes a little with pallor upon the dark. |
| |
Is it illusion? or does the pallor fume | |
A little higher? | |
Ah wait, wait, for there's the dawn, | |
the cruel dawn of coming back to life | |
90 | out of oblivion. |
| |
Wait, wait, the little ship | |
drifting, beneath the deathly ashy grey | |
of a flood-dawn. | |
| |
Wait, wait! even so, a flush of yellow | |
95 | and strangely, O chilled wan soul, a flush of rose. |
| |
A flush of rose, and the whole thing starts again. | |
| |
X | |
| |
The flood subsides, and the body, like a worn sea-shell | |
emerges strange and lovely. | |
And the little ship wings home, faltering and lapsing | |
100 | on the pink flood, |
and the frail soul steps out, into the house again | |
filling the heart with peace. | |
| |
Swings the heart renewed with peace | |
even of oblivion. | |
| |
105 | Oh build your ship of death, oh build it! |
for you will need it. | |
For the voyage of oblivion awaits you. |
Wherever and whenever
The mind is found
Attached to anything,
Make haste to detach
Yourself from it.
When you tarry for
Any length of time
It will turn again into
Your old home town.
-- Daito Kokushi (1282-1334)
Monday, 6 August 2007
I watch William Blake, who spotted angels
Blake
by Adam Zagajewski
August 13, 2007
I watch William Blake, who spotted angels
every day in treetops
and met God on the staircase
of his little house and found light in grimy alleys—
Blake, who died
singing gleefully
in a London thronged
with streetwalkers, admirals, and miracles,
William Blake, engraver, who labored
and lived in poverty but not despair,
who received burning signs
from the sea and from the starry sky,
who never lost hope, since hope
was always born anew like breath,
I see those who walked like him on graying streets,
headed toward the dawn's rosy orchid.
Not Worried About The Future
Friday, 3 August 2007
The Way of Heaven
It has no appearance, no pattern.
It is so vast that its
Limit cannot be reached;
It is so deep that it
Cannot be fathomed.
It is always evolving
Along with people,
But knowledge cannot grasp it.
It turns like a wheel,
Beginninglessly and endlessly,
Effective as a spirit.
Open and empty,
It goes along with the flow,
Always coming afterward
And never in the forefront
-- Lao- tzu
Funny how all the features of our lives that are for our safety/security/protection and offered by some level of the government draw stiff resistance. However, market them as a convenience and suddenly people line up for it.
Imagine: We're putting a GPS chip in all your vehicles so that we have a record of everywhere you go with it. If there's a crash or carjacking, we can track it down.
Customers scream "Big Brother" and summarily reject it.
Reality: "MorON-Star. How can I help?"
"I locked my keys in the car! I can't get in!"
"What's your passcode?"
"I don't remember, but hurry up because the top's down and it's starting to rain!"